О чём книга «Dead Men's s Boots»
Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.

Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.
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Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.
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читать текст Mike Carey Легкое чтение Фэнтези Городское фэнтези подборки серии
Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.
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The van started to veer left, losing speed now that there was no one to lean on the gas, but still with a terrific amount of momentum to burn off and nowhere to spend it.
There was a thunder-crack sound that was repeated two more times: Juliet pivoted on one arm as someone moved inside the van, gun raised to fire again. If she’d been hit, she didn’t show any sign of being hurt. The van’s side ground against the thick trunk of a mature tree and the vehicle ricocheted away again across the narrow track, slewing more violently now and starting to lean over sideways at a steeper and steeper angle. Juliet swarmed up onto the roof, rode the movement with unconscious grace and was already jumping off as the van’s side smacked down into the dirt and it bounced, end over end.
I hit my own brakes, aware that I should have been watching the road ahead of me instead of what was coming up behind. There were no other cars in sight, but I took a broad bend way too fast and skidded to a halt in the middle of the road with a handbrake turn that would have been elegant and accomp«ganin lished if I hadn’t blown out both of the driver-side tyres in the process.
It had all happened so fast that the echoes of the van’s crashing fall were still dying away as I leaped out of the car. The trees hid it from my sight for a couple of seconds, though, and by the time I rounded the bend the action had moved on a little.
Juliet was down in the road, and the surviving occupants of the van were crawling out as best they could through doors and windows. One of them – judging by the gun in his hand, he must have been the guy who’d been blazing away at Juliet from inside the van – raised his arm to shoot her at point-blank range. She ducked under the bullet and pirouetted so fast she was a blur: the roundhouse kick that caught him high up in the chest must have staved in half his ribs. He folded up, fell and didn’t move again after that.
That left three: two men and a woman, who I saw now for the first time. She was a petite, washed-out little thing dressed in shades of beige, streaked with vivid red here and there because she’d just struggled through a shattered window and hauled herself to her feet in time to watch Juliet dispatching her colleague only a few feet away. Incongruously, she was barefoot: maybe that should have tipped me off, but it didn’t.
The two guys were dressed in finest mafioso chic, but the black suits and wraparound shades looked less menacing given how the situation had spun out of their control. One of them was down on hands and knees, crawling away from the van towards the undergrowth in desperate, indefatigable slo-mo. The other stood facing Juliet irresolutely, fists clenched but not knowing what to do. She took a step towards him, opening her arms as if to embrace him. He staggered back, groping belatedly at his waist for some weapon he carried there.
That was when the woman struck. She was only waiting for Juliet to be broadside on to her: now she moved in a staccato blur, slamming the heel of one hand into Juliet’s left temple and then, as Juliet turned to acknowledge her, following up with a raking slash from the other hand. Juliet’s head snapped to the side, and blood sprayed up into the still, sun-speckled air.
The woman was already changing: had already changed, more like a stiletto blade snicking out of its sheath than like the slow, camera-friendly metamorphoses of horror movies. She seemed to stand up taller as her torso narrowed and elongated: at the same time her elbows and her knees bent and locked into a new configuration that a human being wouldn’t have been able to achieve without ripping a dozen bones out of their sockets. Hairs as thick as porcupine spines bristled on her flesh, like a cat’s hairs standing up when it’s making a squalling, spitting last stand.
Juliet struck out at the loup-garou but she was blinded by her own blood and the sleek, monstrous thing leaped over the wildly hazarded punch to land on Juliet’s shoulders. Its hands, long and slender now and ending in two bristling thickets of unfeasibly long claws, flashed in and out, raking at Juliet’s face. Another jump and it was away before her opponent could get a proper grip on it. Juliet staggered like a drunk as the loup-garou landed four-square in the dust and turned for another pass.
By now I was racing hell for leather towards them. There was no time to think it through. I stuck out my hand, grabbed a handful of something from the bushes to my left and tore it free as I ran. ‘Benedicite, domine meus,’ I panted under my breath, ‘hunc florem, et noli oblivisci –’ Coming from me it was bullshit, but it would have to do.
The loup-garou went low this time, diving«is ci under Juliet’s flailing guard and laying open her stomach with a scything kick from one backward-slashing foot.