О чём книга «Dead Men's s Boots»
Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.

Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.
Эта страница Chitat.online посвящена книге «Dead Men's s Boots»: читатель видит описание, автора, жанры и может сразу перейти к чтению полной версии в браузере.
Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.
После карточки книги можно перейти к другим произведениям автора, близким жанрам, сериям и тематическим подборкам.
читать текст Mike Carey Легкое чтение Фэнтези Городское фэнтези подборки серии
Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.
Используйте жанры, блок похожих книг, другие произведения автора и тематические подборки ниже на странице.
Проверьте описание, автора, жанры, дату выхода и соседние книги: это помогает понять, подходит ли произведение под ваш запрос.
She hasn’t made any contact with anyone since she got back from the States. Well, apart from Doug Hunter, of course, and that’s no use to us.’ I turned back to Susan. ‘Or has she called you?’ I asked.
Susan’s anxious gaze flicked backwards and forwards between the two of us. ‘No,’ she said. ‘Not a word. I’m just . . . sitting hÖus ere by the phone.’
‘She’s probably lying,’ Moloch said, his tone detached and thoughtful. ‘You could hurt her and make sure, one way or the other. You clearly have impressive skills in that area.’
Susan gave a yelp, like a dog that’s had its tail trodden on, and tried to slam the door. Moloch held it open with one negligent, unhurried hand. I knocked the hand away and he gave me a look of politely mystified inquiry as the door slammed in our faces.
‘Nobody,’ I said with slow, heavy emphasis, ‘is hurting anyone. In fact, you’re not even coming in here.’
‘No?’ Moloch’s voice was mild now, but there was an edge of amusement to it.
‘No. You’re going to wait on the other side of the street, under that lamp.’ I pointed. ‘And you’re not going to come near this door, or this house, until I come out.’
‘And why am I going to do that?’
‘Because if you don’t, the poor doggy isn’t going to get so much as a bone to gnaw on. If you want to eat tonight, you’ll do this my way.’
He stared at me in silence for the space of two or three heartbeats. It felt like a lot longer.
‘If she offers you tea,’ he said at last with a nasty grin, ‘decline it. Time is short enough as it is.’
Moloch turned his back on me and walked away. I knocked again, and waited. After a minute or so I rang the bell.
Eventually, the door opened a crack and Susan stared out. The tears had been shed in the meantime. Her cheeks were wet and her face as she glowered up at me was full of a terrible pain.
‘You should go away now, Fix,’ she said, her voice surprisingly strong and even now as though crying had bled some poison out of her. ‘It’s not right for you to be talking to me after what you did to Jules. You should have been a better friend to her.’
I opened my mouth to say that it was Juliet who’d broken a table across my back, rather than the other way around, but this wasn’t the time for scoring cheap points.
‘I think I can bring her back,’ I said again. ‘If I can come in for just a minute, I’ll explain what I want to do. Then if you say no, I’ll just leave.’
‘No. I don’t want you to come in here. Not while I’m alone.’
‘Then let me explain out here,’ I suggested.
‘I don’t want to hear what you’ve got to say.’
‘Susan,’ I said, making my last pitch, ‘this is something she needs to know about. She’s done something that might make it . . . hard for her to stay here on Earth. Or at least here in London. Something that puts her way, way over on the wrong side of the law. She’s made a choice, and in my opinion it was the wrong one. It will hurt her.’
‘Nothing can hurt her,’ Susan said, shaking her head again. I wasn’t sure if it was a boast or a lament.
‘Losing you would hurt her, I think. And if she has to do a moonlight flit – if all the exorcists the Met can lay their hands on are sharpening their knives for her, and she makes the city too hot to hold her – she’ll leave you behind.’ I paused for just a moment to let that idea sink in, then went in for the kill. ‘Or do you tÛ216r&nhink you can go and live with her folks for a while?’
A whole cavalcade of emotions crossed Susan’s face. I wanted to look away. Moloch’s words about my having a gift for hurting people were still hanging in the air: this wouldn’t count as torture at Abu Ghraib, but standing on a doorstep in West London at the arse end of winter with the rising wind carving sharper edges on my face, that was exactly what it felt like.
Susan was looking at me, shaking her head: rejecting the picture I’d painted, or maybe rejecting me, seeing through my sullied flesh to my shabby heart and saying no. She stood aside, wordlessly, and let me come in, then closed the door, locked it and bolted it top and bottom. I waited until she was done and let her lead the way into the living room. It was a gesture: a pretence that she was in control of what was happening. I thought about the aborted dinner party and everything that had happened since, and I had to struggle against a feeling of shame. Susan was right, in spite of everything: I should have been a better friend.
She waved me to a chair, with a visible lack of enthusiasm. I stayed standing: I didn’t feel like I had a right to any hospitality. She sat down herself in one of the armchairs. It was a surprise, and not a happy one, to see a half-empty whisky bottle and a half-full glass on the occasional table next to her.