В мрачном английском замке на севере страны жестокий убийца оставляет позади следы своего злого шарта. Призрак-убийца извлекает душу жертвы в собственное тело, чтобы продолжить кровавые игры. В мире, где мертвых поднимается с могилы, чудовищный убийца приходит за новым жертвоприношением....
‘Can you imagine him hurting anyone? Let alone killing—’
‘He did for those two fish,’ I said, trying to inject a little reality back into the proceedings. She gave me a wounded look and I shrugged an apology. ‘Why don’t you just tell me what happened?’
She looked down at the photo, drawing in a long, ragged breath. It was mind over matter: I saw her shovelling the emotions back inside and locking them down. When she looked at me again, she was almost clinically calm.
‘Just the facts, ma’am?’ she said, presumably being Dan Ackroyd rather than Jack Webb.
‘To start with.’
So she told them to me. And they were as nasty a set as I’d ever come across.
The twenty-sixth of January. Sometime after four p.m. A man named Alastair Barnard, age forty-nine, checked into a hotel room in King’s Cross, along with another, younger man – this other man described as having close-cropped mid-brown hair and brown eyes, and wearing a black donkey jacket with a green paint stain on the left sleeve. The hotel in question was the Paragon: it rents by the hour, because the clienteled a„ it caters to are the prostitutes who work the back streets off Goods Way and Battle Bridge Road.
The desk clerk, one Christopher Merrill, gave them a key – room seventeen, which offers a fine view of the freight yard. He assumed that the younger man was a rent boy bringing his work in off the streets: but he didn’t ask any questions or make any small talk, because you don’t mess with your core business.
Normally the clerk would have expected to see the two men emerge again half an hour later and walk away in different directions.
But when nine o’clock rolled around and the pressure on the rooms started building up, he noticed that that key was still out.
