В Thicker Than Water, каждое ново открывается шрамом более глубокой связи между людьми. Главные герои — это два близнеца, чья жизнь разбита одной коварной встречей. Начинается с простых моментов и остается неизменным мрачно-сюрреалистическим тоном, привлекающим внимание и заставляющим ждать следующего шага....
It was in trying to dissuade Katie from coming into my bedroom at night with her blood-caked face and talking to me in the dark that I performed my first - entirely accidental - exorcism. I did it by chanting rude playground songs at her until she shut up and went away. Sounds. Patterned sounds, expressing in pitch and rhythm something that I couldn’t define or perceive in any other way.
Later I discovered that music worked even better.
Later still I picked up a tin whistle, and it shaped itself to my hand as though it belonged there.
This particular tune didn’t have much in the way of either form or progression. It just ambled backwards and forwards through the same sequence of chords, all in the lower half of the whistle’s register and sounding somewhat sullen and melancholy. But as the notes skirled around me the world darkened: or rather, my perceptions shifted a little along the spectrum that has life and death as its two poles.
"I was expecting to see the road get more crowded at this point. If anyone had died in the little red car, or under its wheels, then they ought to have come sharply into focus now. In fact, I ought to have been seeing them already, because the newly dead stand out like halogen bulbs in my eyes most of the time. But my death-sense isn’t infallible. The whistle is.
This time, though, and apart from the added depths and subtracted highlights, the scene before me didn’t seem to have changed at all.
Turning my attention back to the parked car, I shifted my fingers on the stops of the whistle and slowly ascended the scale.
