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Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.

Автор: Mike CareyЖанры: Легкое чтение, Фэнтези, Городское фэнтези

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Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.

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  • тем, кто выбирает магические миры, необычные способности и приключения

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Dead Men's s Boots — книга автора Mike Carey. Жанры: Фэнтези, Городское фэнтези. Описание, жанры и похожие книги на Chitat.online.

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Книга «Dead Men's s Boots» — читать онлайн бесплатно полностью без сокращений

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The lull was already over. The dead men renewed their assault on us, although no doubt another contingent had peeled off to find Juliet and deliver unto her the verdict and the sentence of their time-distilled hatrã-diulted. In all, we’d had maybe five seconds of respite.

It was all I needed. In crowding me so closely, the dead men had done me a big favour: they’d imprinted their essence on my death-sense so vividly I could have played it in the dark with gloves on. I started to play again, and the tune writhed in the air like a living thing, closed and locked onto the rabid spirits even as they swooped back in for a second pass. They were expecting easy meat: they ran full-speed into a moving avalanche.

Moloch stretched, and because most of my attention was elsewhere I thought the sound I heard was the crack of one of his bones. It wasn’t: it was the hollow report of the guard’s gun as the firing pin fell on an empty chamber. He stared at it in numb dismay, then his hand started to move towards his belt where he probably had a spare clip. Moloch’s punch demolished most of his face, so the movement was never completed. He thudded backwards into the doors of the chapel and slithered to the floor. Moloch pushed the doors open and stepped over the dying man into the room.

I followed, pouring out sweet music like a ninja throws shurikens.

The chapel was full of roiling ghosts, made visible by the tune that anchored them against their will to this spot. They were like some sort of complex, ever-moving cat’s cradle, gliding past and through each other without ever seeming to touch. Faces and limbs and various misplaced or truncated echoes of human form appeared within the mass and then vanished back into it.

Moloch shot me a look.

‘Allegro,’ he growled. ‘And, if you can manage it, al pepe.’

He went down on one knee and bent his head. For a moment, grotesquely, it looked as though he were paying his respects to the enemies he was about to devour. But it wasn’t anything like that at all. It was something a whole lot more disgusting.

He’d told me that he’d made this body for himself, slowly and painstakingly. If I’d given any thought to what that meant, I’d have imagined some process like the knitting of a sweater. But I’d picked the wrong metaphor, clearly. The black leather of Moloch’s coat parted vertically as the flesh within knotted and burgeoned: suddenly there was a broadening split in the coat through which something red and churning could be seen, as though Moloch’s insides were molten liquid.

Out of that cauldron something rose like steam, then solidified in the air into a shape that made my stomach clench and sour bile rise in my throat. It had a lot of limbs, and a lot of mouths. The limbs threshed the air, passing through the turbulent mass of spirits that hovered there in a complex repeating pattern. They lost their coherence: emulsified into something that quickly lost any residue of humanity. Then the mouths opened and Moloch began to drink.

It took a long time. I looked away, concentrating on the music and trying to shut out the sounds of the demon’s banquet. But that left me looking at the guard with the ruined face, so in the end I closed my eyes and played for a few minutes more in the dark, in a sort of abstract trance.

A hand on my shoulder brought me out of it, and when I opened my eyes Juliet was at my side. She was boltered with blood from hairline to boots. I wondered if any of the men she’d killed had died with hard-ons. Probably not: she would have been moving too fast, working too hard to be able to linger and bring her lethal charm to bear on them. For some reason that I couldn’t explain, I felt relieved at that.

The room was silent. Most of the ghosts were gone. The bloated ectoplasmic hulk of Molãmic;t och hovered and pulsated in the air above us like some blasphemous Goodyear blimp, peristaltic ripples passing across its surface as its myriad appendages hoovered the air.

‘Great stuff,’ I said hoarsely. ‘Only next time, you want to go into second gear when you’re up past ten miles an hour. I meant to tell you that when you gave me a lift in your Maserati the other day.’

Juliet didn’t seem to be in the mood for banter. ‘We need to leave,’ she murmured, staring up at the terrible spectral mass. The tentacles were moving more sluggishly now, and the mouths were closing one by one. If there was such a thing as the ghost of a wafer-thin mint, the demon had reached the stage of the meal where it might be offered to him.

I saw Juliet’s point and headed for the door. But it was already too late.

‘Ah!’ Moloch exclaimed oleaginously, in a voice that seemed to reach us by making the bones of our skull vibrate directly, cutting out the etheric middle man. ‘The sister of Baphomet. Did I ever tell you how I killed him?’

Juliet looked up at the obscene, sated thing with its dozens of grinning mouths.

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