В мрачном английском замке на севере страны жестокий убийца оставляет позади следы своего злого шарта. Призрак-убийца извлекает душу жертвы в собственное тело, чтобы продолжить кровавые игры. В мире, где мертвых поднимается с могилы, чудовищный убийца приходит за новым жертвоприношением....
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‘So what can I do for you? I can give you twenty minutes, then I’ve got to meet my next group.’
We were in the gallery’s main atrium, in between the cloakroom counter and the shop. Pomfret had been waiting at the desk when I arrived, visibly keen to get this over with, and he didn’t seem any happier with me at first glance than I was with him. Then again, given the state of my face, I probably looked like a bare-knuckle fighter fallen on hard times.
I took the sheet music out of my pocket, unfolded it and handed it to him.
‘Well, that’s what I’m asking you,’ I answered. ‘Is there a tune in there? You’re a drummer, so you’d know, right?’
He looked up from the music, shaking his head very emphatically. ‘No. I wouldn’t. This is only a rhythm map. It’s in hybrid notation, so it’s not the easiest thing in the world to follow, but I’ve used both systems before so I can roll with it. The thing is, it doesn’t give you a tune: it only gives you the rhythms.
‘If I knew what the tune was, Speedo,’ I growled irritably, ‘I wouldn’t be here. The tune’s what I’m looking for.’
PomfretËh=""o,& fired up all of a sudden, as though he had a reheat button and someone had just hit it. ‘Now why are you pulling that crap on me?’ he asked, on a rising tone.
‘What crap?’ I asked, looking over my shoulder and then back at him, as if maybe he’d been hit by some crap flung by a chance passer-by.
‘Calling me Speedo. I’m Luke here. Luke Pomfret. My stage name’s not a stick for you to poke me with, man. I don’t want to hear it again in this conversation. Not if you expect me to do you a favour. I don’t know you from a hole in the ground, and I don’t have to put up with it. Okay?’
‘Okay,’ I acknowledged, giving him a gesture that was halfway between a shrug and a hands-in-the-air surrender. ‘I’m sorry. I’m working in the dark on this, and it’s putting me on edge.
Only partially mollified, Pomfret nodded. ‘Well, don’t,’ he said. ‘Just don’t, and we’ll get along fine. I’ll show you how the system works – what you can get out of this sheet and what you can’t. And that’s all I’ll have time for, so you’ll have to do the rest yourself. Let’s go to the café.’
The café was more or less deserted, which suited me fine.
