В сердце большого города скрываются тайны и загадки. Каждое утро открывает новый слой этой истории, напоминая о безвозвратности прошлого. Внутренние драмы и судьбы, переплетающиеся в пространстве и времени, создают непредсказуемую атмосферу будничной мелодрамы.
S and M.” He grabbed a videotape. The Story of O.
As the video hit the workbench, Ryan charged in, his jaw muscles tightened all the way to his sternum.
“I’ve found something.”
We moved as one, out the door, through the outer basement, around an ancient furnace, and into a chamber much like the one we’d just left.
Floor-to-ceiling shelves wrapped three sides of this room. A single bare bulb hung from its ceiling.
Ryan strode to the far wall. We followed. Behind the shelving I could see polyurethane similar to that lining the other room.
“This wall isn’t brick. It’s plywood.”
Ryan ran his fingertips vertically along the newly exposed plywood, just beyond the shelving.
“There’s a discontinuity.”
Claudel removed one glove, mimicked Ryan’s move, then nodded.
Ryan pointed to the door through which we’d entered.
“Check out the lights.”
We all turned. One switch plate looked shiny and new, the other dingy and cracked.
“The older one works the overhead.”"
"He left the rest unsaid.
Claudel yanked off his remaining glove. Wordlessly, he and Ryan began ripping polyurethane.
Charbonneau hurried to the outer basement. I heard clattering and scraping, then he was back with a rusted crowbar.
Within minutes Ryan and Claudel had bared a six-inch swath. In it I could see a crack and two hinges. Through the crack, not a sliver of light.
Gauging door width, they attacked the other side of the shelving where two polyurethane panels met. Their efforts revealed another hairline fissure between sheets of plywood.
“Let me at it.” Charbonneau moved forward.
Ryan and Claudel stepped aside.
Charbonneau inserted the tip of the crowbar into the gap and levered.
A section of wall and shelving jigged forward.
Charbonneau slid the tip of the crowbar farther and heaved.
Plywood, batting, and shelving popped free.
Charbonneau grabbed a shelf and yanked. The false wall swung wide, revealing an opening approximately five by two feet.
The overhead bulb illuminated the first eighteen inches of the cavity behind the wall.
Dashing to the door, I flicked the shiny switch, and spun.
My teeth clamped my lower lip as my throat clenched.
32
THE ROOM HAD BEGUN LIFE AS A FRUIT CELLAR OR STORAGE BIN. It was approximately eight by ten, and, like Menard’s little fun house, entirely soundproofed. The interior smelled of mold and old earth overlain by chemicals and something organic.
